stockholm limited is back with an amazing one sider! the b side gets an outstanding etching. strong limited remix edition on par grindviks very own imprint.

!! physical therapy & ambivalent !!

7 track ep/mini album by l/f/d/ms richard smith dream bleeds overflows with body jerking industrial, raw acid/techno, and hints of the warehouse sound of the late 90s and the caustic spirit of ebm. richard smith says about dream bleeds, attaching meaning to songs is often arbitrary but when the visceral feeling of music, particularly instrumental body music, is laid bare, the interaction is immediate and physical. these tracks thread together each starting point completely open, each new step informed by the last. i find it interesting that the process is the same but the outcome somewhat unexpected shaped by emotion, inspiration or even constraints of time, they evolve as they do in that time. they reach a different end point due to that evolution of circumstance.

ltd 10-inch, 180 gram heavyweight vinyl - it contains a previously unavailable alternative version of home feat tina dico & a 1st time available on physical format: remix of somersault by danger mouse feat. mf doom & sia. both tracks were originally taken from the bands 2nd album when it falls.

andy garvey finally breaks cover after years of honing her cyber-tinged production edge with a hefty four track debut ep for the lobster theremin main label.

cutting edge electronics with the dark, sweaty and serious dance floor in mind.
from the outset w1b0 s mission to carve out his own sound in this era of cut and paste and production shortcuts has led to recognition by genre champions such as rolf mulder and dave clarke, indeed his first formal appearance on physical media was as part of dave clarke’s seminal fabric 60 cd.
the original mix of main squeeze is an electro epic, straight to business with a growling bass line sitting beneath room filling drums combining to lay foundation for a soaring synth invasion. the four remixes see four artists who represent the cream of talent in the many shades of the authentic modern electro genre transforming main squeeze into new dance floor destroying shapes. ranging from borderline industrial breaks from simplicity is beauty to the punchy experimentation of boris divider and from the unmistakeable raw sound and energy of the exaltics to the flawless dark electronics of bs-1.
supported by dave clarke, igloo magazine, technobass.net and more.

legends in their in their own right, talib kweli and styles p brought their veteran skillsets to the aptly titled collaborative effort, the seven. finally seeing a physical release, the seven song ep with a star studded feature/producer list including common, marco polo, oh no and rapsody is available on limited edition splatter vinyl.

wolfskuil for its next instalment welcomes ambivalent and physical therapys new collaborative project pta. ambivalent (kevin mchugh) has been a force for good techno for over a decade and his extensive discography includes appearances on cocoon, hotflush, kompakt and ovum. physical therapy (daniel fisher) is allergy season label head and resident at nycs nowadays. he has released on labels including delft, liberation technologies and unknown to the unknown.

debut physical release from scottish newcomer andrew greens aka ash is. hailing from edinburgh and at the heart of club culture in his city, he is running parties and sharing stages with the likes of baltra, bwana, and other forward thinking international artists. this release comes packed with 3 affecting club tracks, each serving a different purpose. ash is fuses elements of rave, house, techno, and electronica to serve up moments of euphoria & tenderness. fluttering arpeggios, dusty breaks, warm pads & feeling laden melodies often feature, capturing a sense of post-club emotion. these are three heavy hitting cuts that truly carve out a lane of his own.

new hermetics project

including an extended maxi-version of the monster italo-disco bomb u.s.s.r.!

the 1986 album from bananarama back on limited green vinyl, album-cd included.

when i found myself on the main dance floor of about blank during berlins most beloved party, buttons, i was immersed by the sounds of shingo suwa. he has honed his skills as a resident dj and producer for many years. in this record, you will hear how his experiences have heavily influenced his productions. we are excited to release shingos debut album and the first album released by acid camp records. the album includes a bonus remix from mixmaster eric cloutier. catch shingo and i reunited for our tour of japan this august.

wire parasitism ep is inspired by the electronic music which was produced during the end of the 80s and beginning of the 90s by the likes of richard h. kirk, psychic tv, coil, dave campbell or lagowski (to name a few). walid el barbir uses his unique producing & sampling skills to create contemporary and industrial sounding compositions out of found footage like occult documentaries, rave stabs or emax sound-libraries. walid el barbir is a part of the collective les points based in zürich, switzerland. his art/music draws from 90s rave utopias, occultism, progressive & accessible frameworks as showcased at their offspace mikro - a physical room which has no doors and opening times during exhibitions and raves - making an institution available to all social layers.

first physical release from boundary. young fresh st domingo talent with a certain love for addictiv groove and acid melodies. strictly limited to 300 copies.

korpus 9 records kicks off with a brand new ep from dubspeeka, featuring four tracks of high impact and atmospheric techno. korpus 9 records is a brand new techno label from russia managed by kwazalski. the main aim of the label is to release fresh and innovative material, not only digitally, but also on vinyl. all the imagery and influences of the label come from an abandoned research station that is deep underwater, where unusual events are happening around it on a constant basis. charged with the first release is shadowy bristolian producer dubspeeka, who has put out his music on drumcode, senso sounds and get physical, runs skeleton recordings and has a fierce techno sound. the opener here is garrison, a driving number with heavy drums and a warm but edgy mood. garrison 2 is more spaced out, with celestial pads baring a feeling of suspense above the firmly rooted drums. garrison 3 then has lumpy drums that bob up and down, as acid lines, water sounds and metallic hits all add atmosphere to the cavernous groove. last of all, garrison 4 is an eerie dub techno track with real drive but also plenty of thoughtful emotions. it closes out a brilliant first ep on this exciting new label.

debut lp from safa pressed on 180g 12- in a ltd edition of 300 copies w/ inlay artwork by maria kassab & text by judy of seas on modular mind. sonic venture into the complexity of physical spaces and human interactions.

evod music is glad to share the first physical ep by syntaxism. five tracks made of suspended electrical particles and strong grooves. “onar” is a genuine techno track that contains an acid sequence accompanied by various sound weavings. “yapar” is characterized by the combination of various bleep textures, perfectly superimposed on high frequencies raids.the b side represents the introverted world of syntaxism, made of mysticism and mystery. “complesso k” and “processo s” are two hypnotizing, utopian tracks, both ones are the result of the sum of so many electrical layers in continuous transformation. “ispezione visiva” is the perfect outro. an elegant, relaxing sequence is fused with excited bleeps and an infinite drone.

‘you can’ stares directly into the haze and the strobes of the transformative night-out documented throughout gabe gurnsey’s debut lp, ‘physical’. undoubtedly one of the record’s most outright hedonistic moments, ‘you can’ finds gabe cheekily intoning an invitation to dance, get high, or both, assisted by a deeply trippy sonic atmosphere and a seductive, twilight bassline.
in the spirit of classic extended edits, the ‘extended dub’ version unpicks and expands on each of these elements, retaining the solid groove of the original while transforming it into a heady dancefloor tool. a staple of electro for the past two decades, the hacker meanwhile continues his recent hot streak with his remix of ‘you can’. firmly executed with his usual cyber-militancy, his simple but effective reimagining is littered with elasticated synth stabs, urgent oscillations and an audible desire to transform gurnsey himself into a man-machine.

the first release on tava discs arrives courtesy of label-founder beigean, confidently establishing their remit of discovering and showcasing charismatic house and techno from a gritty, diy perspective. influenced by a diverse joyful musical upbringing of east coast hip-hop, turn of the millennium tribal techno, uk bass, punjabi folk and bollywood disco, each of the four tracks on beigean s ep flawlessly but daringly weave each of these specific musical avenues into hyper-specific and utterly physical tapestries of sound, road-tested and engineered to turn open-minded dancefloors outside of their heads.

having recently been remixed by radio slave, ozel ab and fc kahuna on phantasy, james welsh returns to the label with zurich/a65. anoth-er expertly executed two-track primed for the club but infused with detail and sheer personality, it further cements his idiosyncratic and forward-thinking interpretation of techno, industrial and experimental electronic styles. opening the ep, zurich takes an infectious, urgent bassline and gradu-ally expands into a weightless landscape. slowly revealing it’s rhythmic intent, it seamlessly blends a distinct melancholy with intensity, which, like the best of welshs work so far, is both wistful and physical. appropriate to its namesake, a65 sets the scene by sampling the un-mistakable sound of speeding yorkshire traffic, opening up a breathless musical autobahn, driven by luminescent synths that pulse with euphoria and energy.

italian scifi producer and sound designer oisel joins the warm up family with this extended ep, offering four cuts in the physical version and 7 in the digital release, this is almost an album that showcases the great studio skills of this young talent, with tracks of diverse approach ranging from direct exercises to more mental and layered.

the inaugural release on enigmatic conceptual artist and freerotation regular aboutface’s new label coordinates a limited physical release series exclusively showcasing his music and original art, depicting conceptual themes and exploring the aural terrain of two sets of location coordinates around the world. coordinates 1 explores ultra-sonic bat recordings from lincolnshire, england, and ancient mayan culture from the chiapas region, mexico.

following a string of well-received eps on cin cin, exit strategy and get physical, belfast’s lor readies his debut, self-titled album ‘lunar orbit rendezvous’. this will mark the first release on his newly minted label lorec. a technique used in apollo lunar missions, lunar orbit rendezvous charts a journey to the moon and back. a bold album, both in concept and sound, its the work of an artist coming into his own.the title track and first single lunar orbit rendezvous prepares the album for lift off. its a track that carries the technical tension of crucial operations, with gnarly acid pulses and happily erratic synths sparring over a steadfast electro beat while vocal samples collapse into themselves. lunar orbit rendezvous comes accompanied by a video from studio creme whose design and video work has been championed by the likes of james holden, warp and simian mobile disco. using a hyper detailed black and white render of a nasa grade rocket, the video brings the optical journey of lunar orbit rendezvous to life

the latest release on francis harris scissor & thread is another exercise in subtlety and restraint, brought to us by the emerging talents of nadia khan. with little known about the artist, this release lets the sublime music do the talking. title track ‘in gleam is a beautifully evocative drift into ambient textures - rising pads and occasion bass tones combine to set an exquisite scene. ‘local visit is a collaboration with label boss francis harris, and features some of the trademark submerged rhythm and textures the label has become known for, unfolding its deep structures over the course of the track. ‘restless sees label regular alex albrecht aka melquíades (whose previous ep on s&t was received warmly) provide the last bells remix - again muted tones and rhythmic complexity glide under ethereal piano fragments and slowly evolving pad washes. ‘sorting through finds its groove early, a deadened kick unfolds into an urgent percussion creating a thick atmosphere of melancholia. ‘sunburnt rounds out the physical release - ending how it started - with dreamy, smudged tones, and warm pads.

articulat is the (new) artist name of ovidiu stanciu, a romanian dj/producer living in rotterdam. under the moniker manikin, he worked on several concept albums with titles like popular mechanics, taxim and grandma s attic revival over the last couple of years. while selecting tracks for this debut ep it felt like curating a best of , and we chose to put three thriving and pounding slow-beat bangers on the a side, and to show more of articulat s versatile style on the b-side. expect experimental electronic songs inspired by themes like steampunk and romanian folklore, very precisely engineered to experience storytelling in the most physical way.

space-electronic beats from saint petersburg. please welcome lyosha nocow. dope! cryovac recordings is proud to release its 20th edition on random colored vinyl. cryovac is a gathering of minds that work together to create a physical record of their sound in this time. we go our own way in production and arrangement for our personal vision to endure. our goal is to add a new layer to the detroit soundscape. d.j. roach is a techno activist with a rhythm agenda of percussive techno. his banging and clanging romps rock through breakdowns and back again. conga and claps work together to form a shaky funk. what is needed for a healthy dancefloor. a.garcia s subtle drone rides waves of synth in an offering of minimal ease. his moody atmosphere turns tone in soulful harmony, while simple drumming builds to a nonchalant bop. the rise and fall of the elements allow you to examine the track on all sides. garcia smoothes out an early morning gem that is taylormade for a smoke.

following on from 2017s experimentally-focused ep, nucleus axon finds phantasy regular ghost culture return with an urgent, pristine slice of club euphoria, backed by a standout remix from legowelt. the original version of axon powers ahead with a supremely physical bassline and a ghostly atmosphere that s slathered with atmospheric choral touches, contrasted by punching, powerful drums. each perfectly tuned element weaves a seriously impressive spell of charismatic, contemporary electro. axons original form is then driven underground and transformed into something truly psychedelic at the hands of legendary producer and synth legend, legowelt. coaxing out one of his distinctive acid lines, the hague resident unravels a heady, hazy atmosphere of creeping euphoria amid a spectral, twilight groove.

the masterful trio of timo mass, basti grub and eric volta showcase their combined musical muscle on the latest release forthcoming on supreme berlin imprint, mobilee. with an impressive remix package featuring rodriguez jr. and tiefschwarz. over two years in the making, ‚we were riding high‘ is a lucid after-hours track with an uplifting and catchy vocal hook that unfolds and develops fluidly. the alternative edit utilises dark synths and drums, retaining the positivity that make this track perfect for the last summer month. this record is the result of eric volta making the demo at an after-party at his studio. he then showed this to timo mass who in turn showed it to basti grub who loved the track so much, they were inspired to develop it. two time grammy nominated timo maas has an extensive musical background, spanning over thirty years. he’s worked with some of the world’s biggest stars including madonna, depeche mode and fatboy slim. basti grub heads up his own label, höhenregler, and is known for his exotic, african-influenced productions. he’s released on some premium labels including cocoon, get physical, desolate and cr2. born in london but very well traveled, eric volta shot into the spotlight with love your illusion and since releases on dirtybird, visionquest, four:twenty recordings among others.

the heavy pulse of sound systems synchronizes with the precision of musique concrète and the reconstructed memory of a masked folk dance of the swiss mountains. techno, drum n bass and dub are echoed within this sonic processional, where samples are pulled apart and recycled, cut at the beginning and end, then linked together.
tresque takes his name from an open-chain circle dance from medieval southern europe. under the musical moniker d’incise he has played on numerous solo and collaborative projects with cyril bondi, designing quiet, intensive listening experiences with various combinations of software, recordings from vinyl or in the field, modified objects, percussion and harmonium. as tresque the delicate minimalism he’s known for takes shape within driving grooves. airy, spacious, amplified noise from his collection of samples is sliced and tethered to weightier, physical beats. a tension forms between uplift and downfall, hypnotically oscillating between structural textures and collective dance.

in search of the sublime, contemporary electronic musician steve hauschildt has designed grids and panoramas of sound across multiple releases through the rise and dissolution of his former band, emeralds, an american touchstone of 2000s home-recorded psychedelic noise music. consistent with his solo work is hauschildt’s ability to coil his craft in precise, varied, and distinctly physical forms. gently spinning arpeggios converse with post-industrial decay. sonic fibers sway like pendulums from static melancholy to motorik bliss. dissolvi, the artist’s first full-length with ghostly international, engages sublimation from an ontological perspective: by dissociating the self. hauschildt steps out from the singular path, for the first time in a traditional studio, to compose and arrange contributions from friends. as a result, his most collaborative work to date extends a vast, vibrating framework in which to consider the state of being. the vinyl release includes a download code.

an ardent heart is a focused techno mini album that brings forward stefan goldmann’s most dancefloor-centered material in a decade. the tracks push and pull relentlessly. despite their linear appeal, there is an intricately balanced interplay between the heavy-handed kicks, the bouncy bass accents and the sizzling, yet clear-cut details whipped up by the rallying drums. the peculiar, seemingly “vocalised” mode of synthesis is maybe the most unifying sonic characteristic of the six tracks and one coda. formant shaping, vowel filters and airstream perturbations let a wide range of sounding elements speak in the tongues of a cybernetic babylon. layered polymetric patterns perforate the aural plane with alien scripts. clearly structured, yet opaque messages that seem to have traveled for aeons emanate from the red-hot circuitry. they spill into a network of delays, channeled down into labyrinthine corridors, enveloped in electrostatic noise. most tracks build on chance patterns evoked with hardware sequencers and freeform modulation sources. the resulting synthetic systems are as cohesive as they exhibit vast internal variation and range. thus balancing simplicity and complexity right in the middle, the results are just as immediately gripping as they can feed sustained attention. a wide palette of distortion and overtones mark the contours of individual elements that seem to have near-physical qualities – as if there were metallic strings, thick membranes, a resonating sphere, all struck by electric mallets, caused to vibrate by mechanical bows and sung by silicone lips.

the entirety of space, time, matter, energy, the physical laws and the constants – omniverse. three original tracks from vril plus a remix by his master’s voice. two mysterious identities. scattering sound waves.

for the record the artist presents a sonic curation of her work ë.ctu_isbtmí. operating in a space between sculpture, code and electronics, the system scans 3dimensional objects via a live video feed and programmatically encodes the artistís glass sculptures within a language of pitches and rhythms using samples as a transla- tive matrix. following samples are used : 0 basketball, 1 tennis, 2 swim, 3 scubadive, 4 helicopter, 5 race, 6 golf, index side a: codes sounds were produced from rotating black glass objects whose shapes determine the parameters of a 2d synthesis space. side b: the resulting sounds are live coded into musical pattern. along with byrke louís sound piece the physical record features words by agf.

jordan transformed his life this past year. it was a time of transition from one state of mind to another and falling in love. this record encapsulates this mental transition as well as a physical transition from his longtime home of new york to his new one in san francisco.

release number 045 sees the much anticipated return of the latest superduo ‘phil:osophy’ (comprising of philth + phil tangent). their recent debut, ‘heavy hearts ep’ made an instant impact on the scene, receiving support from all corners and gaining not only mixmag single of the month but also big ukf + radio 1 features. following on from their immense remix of label head honcho’s ‘justify’ featuring terri walker on metalheadz, we are excited to present another incredible output, introducing the “searching for meaning ep”.

brilliant new duo from south london gilles peterson bbc radio 6 music. south london electronic duo vtr release their alluring debut ep soul to skin on brixtons dream diary records. the five track ep veers from the melodic to the abstract as sensual lyricism occupies a distinct space amidst spectral sound design, striking a balance between haunting depth and inviting warmth. soul to skin was co-produced by recent r&s records signee afriqua, whose slap ep and chronic cool 12inch out on dream diary brought considerable attention to the label. the final offering on the ep is a soul to skin remix by inxec (crosstown rebels, get physical, cocoon and leftroom and culprit) clash music were quick to premiere soul to skin describing vtrs sound as an entrancing mixture reminincent of those early james blake eps, or even the hushed intensity of portishead.

taken from gabe gurnsey’s upcoming debut solo lp, ‘physical’ on phantasy, eyes over zones in on a proto-hacienda groove that’s undistilled militant funk, loose and lucid elements of electro and dub-laden drums conspire to offer an alluring landscape for gurnsey’s restless vocals. the harder-hitting extended dub takes more precise aim at the dancefloor, allowing each disparate, analogue element more room to unfold across a throbbing baseline.

played by ben klock! emotional, physical, blunt, modular and exciting. joton on odd even! joton is synonymous with dark techno, iron, futuristic and sensitive, all mixed with the precision and speed of a surgeon. outstanding conceptcover, shrinked and high quality pressing. cut and mastering by cgb at dubplates and mastering. artwork by markus suckut and cover picture by salar kheradpejouh. manufactured by matter of fact.

sagmen third release featured greg pidcock and andre salmon who combine to deliver ‘you got it’ ep with four dark house cuts plus two digital only mixes. uk producer greg pidcock’s nomadic tendencies have fostered a strong connection with his music which has seen releases on esteemed labels like hot creations, get physical, culprit, saved, not to mention founding his montreal-based imprint flora. meanwhile, andre salmon’s extensive knowledge of music production has earnt him releases on the likes of repopulate mars, leftroom, hottrax, suara, before founding sagmen alongside aert prog. ‘you got it’ delivers a heavyweight kick and sharp percussive rhythms that lay the foundation for haunting arpeggios and an intoxicating vocal hook before ‘loco’ provides grooved drum patterns, a powerful bass melody and an array of intriguing synthesiser transitions, with epic vocals effects . “tfss’ offers up warped vocal samples and mesmerising motifs on top of a pulsating low-end whilst “esto es montanita’ hits hard with crunching drum sounds, enticing filter sweeps and hypnotic samples. two digital only ‘black mixes’ conclude the package, with the first reinterpretation of ‘loco’ setting an ominous tone until the alternative version of ‘tfss’ follows with a rumbling bass, crisp percussion and dubbed out vocal licks.

sagmen co-founders andre salmon and aert prog team up for a solid single, featuring remixes from matteo rosolare & jojo angel, mr jefferson, as well as aert himself. individually, ecuadorian salmon has appeared on leftroom, repopulate mars, hottrax and get physical, while parisian aert prog has had output on anima somnis, laboratory records and popof’s form. launching sagmen at the end of 2017, both producers have appeared on separate releases on the label so far, however the founders now come together for a collaborative release, blending both their sounds together. ‘sagmen’ opens the release with shuffling kicks and claps whilst alarming drones and bumpy rhythms creep throughout, before daylight robbery records boss matteo rosolare teams up with greece’s jojo angel version comes bouncing in, littered with crisp percussion and shaky hums. twisted fusion and resonance records producer mr. jefferson’s take on the track rolls in after, full of thunderous tones and clanking beats. these carve the way for aert prog’s remix, which strips everything back, twisting it into moody roller.

radio slave’s colossal ‘the revenge’ track now gets expert remix treatment from klasse wrecks label head luca lozano. luca has also released on the likes of optimo, sex tags ufo and unknown to the unknown and brings a raw, acid tinged sound to his beats. as a performer lozano’s versatile dj sets span between raw house, cosmic disco and dynamic breakbeat selections, which is why he’s become a regular at key clubs across europe and tasteful festivals like houghton. his ‘how bow dis’ remix’ is solid and features wild old school flavours in its huge drum breaks, a monstrous bassline and dark filtered vocals. it bangs for seven superbly heavy minutes with plenty of twists and turns along the way, and will transform any club or warehouse into a writhing, sweaty mass in seconds. on the flip, his ‘how bow dah’’ version is based around elastic drums and rumbling bass while a loose synth line darts about up top. some distant synths bring a sense of serenity to the madness and so despite the physical impact of this one, it also has real emotion to it.

exhumed tapes i is the first in a multi-artist series of cassette releases on the modern cathedrals label. with label art featuring small details of “important graves,” the series will dig into eery, broken beat techno with gritty textures. the first cassette begins in a natural place: with altstadt echo crafting four works presented with an image depicting the grave-side rubble of his often-referenced inspiration albert camus. it will be limited to 50 hand-numbered physical copies. copyright: modern cathedrals 2018 mastered by tim xavier @ manmade mastering, berlin

mount liberation unlimited strikes back! after releases on tim sweeneys beats in space label and everyones favourite oddball house institution studio barnhus, the swedish duo, consisting of tom lagerman and niklas janzon, land on planet permanent vacation. body language is the fifth release for mlu and you can feel that they have been places and come some ways, since their debut ep in 2014: this ode to dancing sees lagerman and janzon heading into more pop-y territories than before. the swedish version is a full on pop disco track with rich instrumentation and infectious vocals that underline mlu’s status as one of the best disco and house live acts around these days. while the mouth mix is the swedish interpretation of chicago house and gets even more physical with its drum-heavy beats and computerized vocals. for your karaoke party and to round up the package, we also included the instrumental of the swedish version. rocka din kropp!

the strike team ep is the second in the trilogy of releases introducing the world to the sound of the stripper. the title track is a rare hybrid of modern day production and timeless influences transformed through the prism of 1990’s hardcore, jungle, and broken beat. you and your favorite dj like to close your sets with classic jungle tracks? well, the stripper is here with a monster for the middle of your set, pacing at a cool 128 bpm. following it is the hidden gem of the record, culture vulture: an impossible to pinpoint breakbeat laced melodic odyssey. similar to “consciousness proliferation” (back 2 93 mix) from sleeve-01, culture vulture takes you on a journey inspired by the irresistible grit and beauty of the early 1990’s sound from the city of coventry and producers like skanna and essence of aura. flipping the record to side 2, the stripper gives you an absolute burner of a techno track intended for the heaviest and sweatiest of social settings. the atmospheric pads are pointing to the producer’s undeniable rave influences and love for illegal parties around the world. the final track of the record is the stripper tying back the european influences with his unquestionable debt to the american midwest: melodic, deep, and irresistible. this is a physical release of a four track ep. it contains music tracks intended for social settings. suitable for dj sets of varying styles in the range of 125 - 135 bpm. the material presented here is also available digitally. all tracks produced, mixed, and stripped by stripper™ using digital synthesizers and sequencers.

22 digit ltd is the vinyl only off shot of uk based 22 digit records, and this new release is upfront house music in the style of artists like mr. g. this 22 digit ltd release is a collaboration between uk stalwart moodymanc and label boss william welt with solo remixes from appleblim and alland byallo. moodymanc also known to many as dubble d, is a manchester based artist who boasts seminal releases on labels including tsuba, local talk and 20/20 vision among many others of a similar calibre. william welt is a young artist who now based in manchester, cut his teeth in newcastle upon tyne, and has releases on labels including traum and construct. the first of the remixes comes from appleblim, whose bass heavy sound has been a regular feature of imprints inclouding r&s records, aus music, tempa and skull disco. second of the remixes comes from alland byallo, who has previously released on labels including third ear, get physical, poker flat, moodmusic, dirt crew and rawax.

“i’ve been writing music and playing shows since i was 12 but had never actually released anything prior to bruises, despite the fact that all 4 songs on the ep were all written in the space of 6 months, in a way the story of the ep has been 9 years in the making. the title bloom for me captures perfectly the 6 month chapter in my life between having the idea for bruises whilst writing in the shed at the end of my parents garden back in scotland to seemingly barely a moment later waking up finding myself half way across the world in the chaos of los angeles working on fade with a producer i’ve looked up to for as long as i can remember. the making of beginnings, the start of new chapters and also the emergence from everything that has gone before.” this is bloom - lewis first ever physical release of the critically acclaimed bloom ep. clear vinyl & rose-scented inner sleeve. lewis has decided to release a physical version due to popular fan demand and to support independent record shops.

beta librae is bailey hoffman, a producer from kansas city, living in new york city, who co-operates the extremely vital technofeminism residency with umfang at bossa nova civic club, and has previously released tapes on 1080p and lillerne tape club, as well as a single on physical therapy’s allergy season. incienso is extremely hyped to release “sanguine bond”, the debut lp from beta librae. an extremely singular ambi-tech-no-house album, encompassing all the deepest vibes of the rave - warm and fuzzy afterglow dub mixes, emo-ambient ‘ludes, yogic, tribal downtempo vibes and all, mixed with love by the one and only!

exclusive physical release of brand new gaz coombes track the oaks with a fantastic new remix by leftfield